The Joy Spark
One of my favorite people and closest friends in Tokyo –
also an artist – often talks of the “Joy Spark”. Whenever I finish a painting, she asks me,
“Did you get the Joy Spark?” If my
answer is anything but “YES!” – she says “You are not done.”
She is right.
The concept of Joy affiliated with an experience is also used in a book The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing by Marie Kondo. The Author basically suggests that if something doesn't bring you "Joy", it doesn't belong in your home, closet, etc.
In fact, I could apply that philosophy to everything I do –
not just the creation of art. But! That is a topic for another blog!
I haven’t blogged since May – all summer. And all summer, I wanted to because I was
having such great experiences, but I just didn’t have the time. So – here we are – finally… It is the end of August and I have a few
minutes to highlight one of my experiences this summer that led to a consistent
array of “Joy Sparks”.
Being back in New Jersey for these past months allowed me
the opportunity to take some one-on-one workshops in Acrylic. Acrylic is a new medium for me. (The bulk of my experience is in Pastels, Oil
and Nihonga painting, which is a water-based medium). I always wanted to learn how to use Acrylics
– another water-based medium – but it is hard to find English-speaking classes
in Tokyo. So, I swallowed the hefty
price and went to 4 private sessions with Roy Kinzer at Hudson Acrylics. http://hudsonacrylicschool.com It was a whole new world for me!
There is so much one can do with Acrylics. Aside from the benefit of the faster drying
time – there are so many possibilities with all the different types of Acrylic
grounds! The most wonderful thing about
it all is that it dries quickly – AND I can paint on TOP of it – Pastels, Oils
and Nihonga! SO COOL!!! The other wonderful thing: I can apply the
metal leaf to it all as well! The
combinations are endless! While there
are many brands of Acyrlics (i.e. Liquitex and Holbein); but the Hudson Acrylic
School teaches mainly with Golden. So, those the products I learned to use and
will probably keep using until I feel comfortable to experiment. http://www.goldenpaints.com (For those of you who are artists, Golden
also has a wonderful customer service department – where you can ask just about
any technical questions you wish!)
There are things such as – Fiber Paste, Acyrlic Grounds for
Pastel, Pumice Stone, Glass Bead Gel, Self-Leveling Gel, Molding Paste,
Glazing…. And then there are all the
colors!
My favorite grounds were the Fiber Paste (as I can
experiment with applying the Nihonga and Pastel on top), the Acrylic Grounds
for pastels (this is literally the name Golden calls it), the Glass Bead Gel
and the Self-Leveling Gels.
I did a lot of experimenting in my studio before, during and
after my classes. The textures achieved
are amazing! And I can’t wait to apply Oil over them! Here are a few examples….
The Micaceous Iron Oxide has a gritty texture - it is already Black in color. It can take Oil, Water-based paints and/or pastels. Although I am not sure if the Japanese Brushes can be used on the textured surface as the hairs are immensely delicate.
The other important point I have learned is to experiment. Buy small canvasses and try different things - different combinations and see what works together and what brings me the "Joy Spark". I love working with metal leaf and using its luminosity as a background for paintings.
My next step in this process is to figure out WHAT I will paint on top of these "foundations". I will have to go through my photographs from my latest artistic adventures to see what lends to the "Joy Spark" as I think of the composition. It's been a lot of fun applying the various grounds to different surfaces. I am looking forward to the finished products!
Until Next Time!
Peace. ART. Soul.
Rajul
Back to my webpage
R. Shah Studio
rajul@rshah-studio.com
You can add color to any of these grounds, including molding paste and pumice stone - and you get an effect! |
Micaceous Iron Oxide on Canvas with Acrylic and Golden Mica Powder Can you see the beginnings of the Bamboo Stalks? |
The Micaceous Iron Oxide has a gritty texture - it is already Black in color. It can take Oil, Water-based paints and/or pastels. Although I am not sure if the Japanese Brushes can be used on the textured surface as the hairs are immensely delicate.
I was playing around with the Glass Bead Gel and applying it with a knife on Canvas. This is a complete experiment! |
Here is Fiber Paste sprinkled with White Mica Powder on a board which I painted a silvery blue. The fiber paste allows for Oil or a water-based medium on top. |
My next step in this process is to figure out WHAT I will paint on top of these "foundations". I will have to go through my photographs from my latest artistic adventures to see what lends to the "Joy Spark" as I think of the composition. It's been a lot of fun applying the various grounds to different surfaces. I am looking forward to the finished products!
Until Next Time!
Peace. ART. Soul.
Rajul
Back to my webpage
R. Shah Studio
rajul@rshah-studio.com
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